Rafting in Bhutan

Rinpung Dzong, meaning "fortress on the heap of jewels," was constructed in 1644 under the directive of Zhabdrung Ngawang Namgyal. Renowned as one of Bhutan’s most impressive dzongs, it exemplifies traditional Bhutanese architecture. Its inward-sloping walls create a formidable structure that stands high over the town, visible from vantage points throughout the valley as a striking white monolith.

Built in 1646, Rinpung Dzong has long been one of Bhutan's strongest and most significant fortresses, often used to protect the Paro Valley from Tibetan invasions. It withstood the 1897 earthquake, but after catching fire in 1907, it was rebuilt in 1908. Historically, it served as the National Assembly's first meeting hall, and today it houses a monastic school and government administrative offices.

Just west of the dzong, down the hill, is the Nyamai Zam, a traditional cantilever timber bridge crossing the Pachu River. An earlier version of the bridge was once dismantled to safeguard the dzong. Visitors can cross this bridge to reach the parking area near Ugyen Pelri Palace, with access to the main Paro market. The Paro Tshechu festival, highly popular with tourists, is also celebrated here.

The Ta Dzong, now the National Museum of Bhutan, is a unique cylindrical structure shaped like a conch shell. Built in 1649 by Langonpa Tendzin Drugpa, the first Governor of Paro and half-brother of Zhabdrung Ngawang Namgyal, it served originally as a watchtower to guard Paro Rinpung Dzong against invasions. Its strategic location right above the fortress provided an ideal vantage point.

In the past, the dzong served as the center of both state administration and spiritual life in the Paro Valley. The watchtower's design includes six spiral floors descending from the top, with stone walls two and a half meters thick. During its time as a watchtower, it not only accommodated soldiers but also held prisoners of war.

In the 1950s, the Bhutanese government undertook a complete renovation of the building to adapt it as a museum for the national collections. It opened to the public in 1968.

Today, the museum includes the main Ta Dzong building with six floors of exhibits and a secondary exhibition space in a modern structure located uphill. The ground floor offers a flexible gallery space for temporary and rotating exhibits.

The National Library of Bhutan, established in 1967 under Queen Ashi Phuntsho Choden’s patronage, began with a small collection of sacred texts housed in the central tower of Trashichhodzong. As the collection grew, it was relocated to Thimphu’s Changangkha area. Recognizing the need for a suitable, permanent home, Home Minister Lyonpo Tamzhing Jagar led the construction of the current four-story, eight-sided building, designed in the style of a dzong’s central tower to honor Bhutanese tradition.

Inaugurated and consecrated as a lhakhang (temple) on November 23, 1984, by Lyonpo Sangye Penjor and H.H. Dilgo Khyentse Rinpoche, the building was fully funded by the Royal Government of Bhutan at a cost of Nu.3 million. This traditional structure now serves as the library's permanent home, housing Bhutan’s precious religious and cultural texts in a spiritually appropriate setting.

The National Institute for Zorig Chusum, located in Thimphu and Trashi Yangtse, was founded in 1971 by the Government of Bhutan to preserve and promote Bhutan’s traditional arts. The term "Zorig Chusum" means "Thirteen Crafts," reflecting the institute’s comprehensive instruction in Bhutan's traditional skills: Painting (Lhazo), Sculpting (Jinzo), Wood Carving (Shagzo), Calligraphy (Yigzo), Paper Making (Dezo), Bronze Casting (Lugzo), Embroidery (Tshemazo), Weaving (Thagzo), Carpentry (Parzo), Masonry (Dozo), Bamboo and Cane Work (Tshazo), Gold and Silversmithing (Trozo), and Blacksmithing (Garzo).

These crafts were formalized in the 17th century under Desi Tenzin Rabgye, incorporating religious and administrative practices developed by Shabdrung Ngawang Namgyal, who defined Bhutan’s unique cultural identity. Influenced by Buddhism, Zorig Chusum became deeply embedded in Bhutanese tradition, serving not only as utilitarian and decorative arts but as symbols conveying cultural values.

At the institute, students undergo 4- to 6-year training, and their handcrafted items can be seen and purchased in Thimphu’s markets.

Tashichho Dzong, known as the "Fortress of the Glorious Religion" or Thimphu Dzong, is an imposing structure that serves as the seat of Bhutan’s government, housing the king’s throne room, the secretariat, and ministries of home affairs and finance. Located near Thimphu town on the banks of the Wang Chhu River, it is surrounded by beautifully maintained gardens and lawns, with thirty temples, chapels, and shrines within its walls.

Originally built in 1216 by Lama Gyalwa Lhanangpa as Dho-Ngon (Blue Stone) Dzong, the fortress was later expanded and renamed by Zhabdrung Ngawang Namgyal in 1641, establishing it as Tashichho Dzong. Following multiple fires, it was extensively rebuilt by the sixteenth desi, Sonam Lhurup, in 1771 and later renovated by Bhutan’s third king, Jigme Dorji Wangchuck, in 1962, when Thimphu became the capital. This reconstruction was completed in traditional Bhutanese architectural style, without nails, and was led by Zopen Parpa Yodsel.

Nearby, the Ney Khang Lhakhang tower to the west holds a statue of Sakyamuni Buddha and protective deities. Since 1953, the royal family has resided in Dechencholing Palace, located north of the dzong.

Punakha Dzong, often hailed as Bhutan's most beautiful fortress, is especially enchanting in spring when the blooming lilac jacaranda trees enhance its whitewashed walls. Built in 1637, it served as Bhutan's capital until the 1950s and remains the winter residence of the monastic body. Known for its historical and religious significance, this dzong is where Bhutan’s kings are crowned.

Legend says Guru Rinpoche predicted the dzong’s location at the “trunk” of an elephant-shaped hill at the confluence of the Mo Chhu and Pho Chhu rivers. Initially, a smaller structure, Dzong Chung, housed a Buddha statue here in 1326. Expanded in the 17th century by Zhabdrung Ngawang Namgyal, Punakha Dzong is named Pungthang Dechen Phodrang, meaning Palace of Great Happiness.

The dzong spans 180 meters in length and 72 meters in width, featuring a six-story central tower (utse) crowned by a gold dome. With three courtyards, it is unique among Bhutan’s dzongs, containing sacred relics, including the Rangjung Kharsapani, a revered image of Chenresig central to the annual dromchoe festival.

Visitors enter via the Bazam bridge, rebuilt in 2008. Defensive features include steep wooden stairs designed to retract and a massive wooden door closed each night. Noteworthy areas include the kunrey (assembly hall) with exquisite murals and gold statues of Buddha, Guru Rinpoche, and the Zhabdrung. To the north, Dzong Chung offers blessings from a Sakyamuni statue, while nearby lie a royal palace and a cremation ground. Punakha Dzong remains a vibrant symbol of Bhutan's spiritual and cultural heritage.

Perched majestically above the Punakha valley, Khamsum Yulley Namgyal Chorten stands as a stunning example of Bhutanese art and architecture. Built by Queen Mother Ashi Tshering Yangdon Wangchuck, this chorten serves not as a place for communal worship or education, but as a spiritual tool to ward off negative forces and promote peace for all living beings.

The chorten's intricate golden spire and elaborate wall patterns reflect Bhutan’s rich artistic traditions. From its top, visitors can enjoy serene views of a Bodhi tree, lush gardens, prayer wheels, and a small temple housing a peaceful Sakyamuni Buddha.

Inside, visitors encounter a grand 15- to 20-foot sculpture of Vajrakilaya, Bhutan’s most powerful protective deity, with 103 vivid 3D forms emerging from his main figure. This multi-layered deity exemplifies the complex, balanced beauty of Bhutanese spiritual art. Further shrines display other wrathful deities, their intense energies transformed by their consorts, illustrating the harmony between wrath and acceptance.

A final staircase leads to the roof, where a golden Sakyamuni Buddha greets visitors, providing a moment of peace and breathtaking views—a perfect photography spot. Reaching the chorten requires a scenic one-hour hike through rice paddies, pine forests, and over an ancient-style suspension bridge. This path, lined with traditional irrigation channels and prayer wheels, offers panoramic views of Punakha valley, making the journey as memorable as the destination.

Gangteng Monastery, also known as Gangtey Gonpa, is a revered Nyingmapa Buddhist monastery in Bhutan’s Phobjikha Valley, Wangdue Phodrang District, established in 1613 by Gyalse Pema Thinley, a descendant of Terton Pema Lingpa. Known for its unique location on a ridge above the Phobjikha Valley, the monastery is surrounded by the Black Mountains and welcomes the migratory black-necked cranes each winter, adding to its spiritual allure.

The monastery underwent a major restoration from 2000 to 2008, preserving its historic architecture and cultural significance. Today, it serves as a vibrant center with temples, monk quarters, a monastic college, and hosts the annual Tsechu festival, renowned for traditional mask dances. Gangteng Monastery remains a key spiritual and cultural site, attracting pilgrims and visitors from Bhutan and beyond.

Gangteng Monastery, also known as Gangtey Gonpa, is a revered Nyingmapa Buddhist monastery in Bhutan’s Phobjikha Valley, Wangdue Phodrang District, established in 1613 by Gyalse Pema Thinley, a descendant of Terton Pema Lingpa. Known for its unique location on a ridge above the Phobjikha Valley, the monastery is surrounded by the Black Mountains and welcomes the migratory black-necked cranes each winter, adding to its spiritual allure.

The monastery underwent a major restoration from 2000 to 2008, preserving its historic architecture and cultural significance. Today, it serves as a vibrant center with temples, monk quarters, a monastic college, and hosts the annual Tsechu festival, renowned for traditional mask dances. Gangteng Monastery remains a key spiritual and cultural site, attracting pilgrims and visitors from Bhutan and beyond.

This prominent white Thimphu Chorten, a major landmark in Thimphu, holds deep significance for Bhutanese, serving as a focal point of daily worship. Built in 1974 as a memorial to the third king, Jigme Dorji Wangchuck (1928–72), the Tibetan-style stupa is best visited early in the morning, when elderly devotees quietly circumambulate, families light butter lamps, and schoolchildren in traditional ghos and kiras perform a quick kora (ritual walk around the chorten).

The chorten, with its golden finial catching the sunlight, has richly painted annexes facing each cardinal direction, adorned with elaborate mandalas, statues, and a shrine honoring the beloved king. Activities continue from dawn until after dark, though tourists are advised not to visit at night to allow for uninterrupted local worship. Near the main entrance, dedicated elderly devotees are often seen turning giant prayer wheels, adding to the chorten's vibrant atmosphere.

Paro Taktsang Goemba, or the Tiger’s Nest Monastery, is perhaps Bhutan’s most famous monastery, dramatically perched on a cliffside, 3,000 feet above Paro Valley. Nestled among a forest of blue pine and rhododendrons, the monastery is steeped in legend. It is said that Guru Rinpoche (Guru Padmasambhava) arrived here on the back of a tigress, a manifestation of his consort Yeshe Tsogyal, to subdue the demon Singye Samdrup. Following this, he meditated in a cave at the site for three years.

Guru Padmasambhava, revered as the figure who introduced Buddhism to Bhutan, is considered the country’s spiritual protector. Paro Taktsang is the most famous of the thirteen “tiger lair” caves where he meditated. Each year, a festival called Tsechu, held in March or April, celebrates Padmasambhava’s life and legacy in Paro Valley.

The main temple, or Lhakhang, was constructed in 1692 by Gyalse Tenzin Rabgye, the Governor (Penlop) of Paro, around the cave where Guru Rinpoche meditated.